I was browsing in YouTube deciding what to watch when I came across the video titled: "David Hurn: Wisdom at 90+" by ITV News. I was instantly hooked by something the veteran photographer said:

“My main problem is I don’t want to give up shooting pictures. I like shooting pictures.”

It uncovered a feeling I hadn't fully realized before. For as long as I can remember, I’ve been taking photos, naturally becoming the go-to photographer for my family. I took pictures purely for the joy of it, using whatever gear I could get my hands on—whether it was a cheap phone, a small digital compact, or a mirrorless camera borrowed from my sibling.

I’m no professional, and though it’s a bit embarrassing to admit, I only recently learned how to actually use the exposure triangle. But that’s the beauty of it; I just love capturing moments. At least now, I can properly navigate my gear. But more than anything, it is the simple process itself that I love - there is a distinct, comforting warmth in holding a camera, framing your photo, and hearing the sharp, satisfying click of the shutter.

My deep interest in photography makes complete sense when I look back at my childhood. My mother owned a compact film camera. She always had it with her, bringing it to family gatherings and vacations. I still remember the thrill of going to the Kodak shop with her to drop off the film, and the anticipation of picking up the developed rolls days or weeks later. Flipping through that thick stack of printed memories was pure magic. Looking back, that is undoubtedly where my passion for this medium began and it is something I wouldn't change for anything in the world.

THE QUIET IN EVERY CORNER.

Capturing stillness in nature, street, and urban spaces.

About me

Hi there! I am Lars. Born in the Philippines, My photographs capture stillness in nature, streetscapes, and urban spaces discovered through my travels.

I am naturally drawn to a quieter type of photography. Lately, I find myself hooked on the beauty of the banal and the topographic, finding poetry in the mundane, man-altered landscapes, and the silent, organic presence of trees.

My work is predominantly digital black-and-white, which allows me to focus on raw texture and form, with occasional shifts into color when the moment calls for it. Currently in a season of pure discovery, I am simply exploring what catches my eye and letting the images speak for themselves.